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BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251102T193000
DTEND;TZID=Europe/Amsterdam:20251102T233000
DTSTAMP:20260514T164815
CREATED:20250831T134319Z
LAST-MODIFIED:20250831T134848Z
UID:3402-1762111800-1762126200@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozze-di-figaro-3/
LOCATION:Amare\, Den Haag\, NL
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9222.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251031T183000
DTEND;TZID=Europe/Amsterdam:20251031T233000
DTSTAMP:20260514T164815
CREATED:20250831T134150Z
LAST-MODIFIED:20250831T134934Z
UID:3400-1761935400-1761953400@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozze-di-figaro-2/
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9222.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251030T193000
DTEND;TZID=Europe/Amsterdam:20251030T233000
DTSTAMP:20260514T164815
CREATED:20250831T134018Z
LAST-MODIFIED:20250831T135000Z
UID:3397-1761852600-1761867000@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozze-di-figaro/
LOCATION:Schouwburg\, Haarlem\, NL
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9222.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251028T183000
DTEND;TZID=Europe/Amsterdam:20251028T233000
DTSTAMP:20260514T164815
CREATED:20250831T133846Z
LAST-MODIFIED:20250831T135704Z
UID:3395-1761676200-1761694200@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozzi-di-figaro-5/
LOCATION:TivoliVredenburg\, Utrecht
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9223.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251027T183000
DTEND;TZID=Europe/Amsterdam:20251027T233000
DTSTAMP:20260514T164815
CREATED:20250831T133726Z
LAST-MODIFIED:20250831T135722Z
UID:3392-1761589800-1761607800@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozzi-di-figaro-4/
LOCATION:De Oosterpoort\, Groningen\, NL
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9222.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251025T193000
DTEND;TZID=Europe/Amsterdam:20251025T233000
DTSTAMP:20260514T164815
CREATED:20250831T133605Z
LAST-MODIFIED:20250831T135605Z
UID:3389-1761420600-1761435000@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozzi-di-figaro-3/
LOCATION:De Vereeniging\, Nijmegen\, NL
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9223.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251024T193000
DTEND;TZID=Europe/Amsterdam:20251024T233000
DTSTAMP:20260514T164815
CREATED:20250831T133202Z
LAST-MODIFIED:20250831T135744Z
UID:3386-1761334200-1761348600@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozzi-di-figaro-2/
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9222.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20251020T193000
DTEND;TZID=Europe/Amsterdam:20251020T233000
DTSTAMP:20260514T164815
CREATED:20250831T133011Z
LAST-MODIFIED:20250831T135806Z
UID:3383-1760988600-1761003000@jorindekeesmaat.nl
SUMMARY:Le Nozze di Figaro
DESCRIPTION:“Through the brilliant weaving of music and words\, this masterpiece intertwines the destinies of four generations of women. Amid social pretenses and the failure of language itself\, it brings their vulnerabilities and strengths into plain sight. In the midst of this diabolical pace of disguise and ruse\, escapes and ambushes\, where each aria and line of the score winks at both tradition and modernity on multiple layers (and not without humor)\, there is\, in fact\, no space left. \nNo space to breathe\, to move\, to express one’s truth. \nI believe the struggles of these women—when they collide with the desires of others\, power dynamics at play\, and the very necessity of their own protection—do not feel distant from us. What part of this fable would fall short or still stand when facing the imagination and dreams of a girl from our time? \nTo figure this out\, I propose to follow the story of Suzanne’s wedding through the eyes of a young girl\, adding a fifth generation to connect us to our legacies. What have we learned about the institution of marriage? This is the question mark I wish to draw on stage\, leaving it open for the audience to ponder. Because sometimes\, falling suddenly silent and leaving things “in the open” is the first step toward being heard.” \nJorinde Keesmaat\, Stage Director \n\n\nW.A. Mozart Le nozze di Figaro \n\n\n\n\nBenjamin Perry Wenzelberg dirigent\nJorinde Keesmaat regie \nMet: James Newby\nKatharine Dain\nNikki Treurniet\nJames Atkinson\nMaria Warenberg\nEsther Kuiper\nSharon Tadmor\nMarcel Reijans\nMichał Karski\nNuria Kouwenhoven\n \nDramaturgy Marion Platevoet en Willem Bruls\nKostuumontwerp Sanne Oostervink\nLichtontwerp Desiree van Gelderen\nVideo-ontwerp Frouke ten Velden\nAssistent regie en Stage manager Adriana Rio
URL:https://jorindekeesmaat.nl/event/le-nozzi-di-figaro/
LOCATION:Concertgebouw Amsterdam
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2025/08/IMG_9222.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20250622T180000
DTEND;TZID=Europe/Amsterdam:20250622T180000
DTSTAMP:20260514T164815
CREATED:20240507T092540Z
LAST-MODIFIED:20240507T092540Z
UID:3327-1750615200-1750615200@jorindekeesmaat.nl
SUMMARY:Last night of the world
DESCRIPTION:Last night of the world \nWorld premiere \nComposer AUGUSTÍ CHARLES\nLibretto MARC ROSICH\nbased on Last night of the world by RAY BRADBURY \nA dream heralds the end of the world. Confronted with the idea of the incomprehensible\, six couples seek their way through the last evening on earth. \nMusical direction: Sebastiaan van Yperen\nStage director: Jorinde Keesmaat\nStage design: Nico de Rooij\nCostumes: Pascal Seibicke\nDramaturgy: Vera Gertz
URL:https://jorindekeesmaat.nl/event/last-night-of-the-world-6/
LOCATION:Staatstheater Augsburg\, Augsburg\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20250425T193000
DTEND;TZID=Europe/Amsterdam:20250425T213000
DTSTAMP:20260514T164815
CREATED:20240507T092439Z
LAST-MODIFIED:20240507T092439Z
UID:3325-1745609400-1745616600@jorindekeesmaat.nl
SUMMARY:Last night of the world
DESCRIPTION:Last night of the world \nWorld premiere \nComposer AUGUSTÍ CHARLES\nLibretto MARC ROSICH\nbased on Last night of the world by RAY BRADBURY \nA dream heralds the end of the world. Confronted with the idea of the incomprehensible\, six couples seek their way through the last evening on earth. \nMusical direction: Sebastiaan van Yperen\nStage director: Jorinde Keesmaat\nStage design: Nico de Rooij\nCostumes: Pascal Seibicke\nDramaturgy: Vera Gertz
URL:https://jorindekeesmaat.nl/event/last-night-of-the-world-5/
LOCATION:Staatstheater Augsburg\, Augsburg\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20250404T193000
DTEND;TZID=Europe/Amsterdam:20250404T193000
DTSTAMP:20260514T164815
CREATED:20240507T092220Z
LAST-MODIFIED:20240507T092220Z
UID:3323-1743795000-1743795000@jorindekeesmaat.nl
SUMMARY:Last night of the worlds
DESCRIPTION:Last night of the world \nWorld premiere \nComposer AUGUSTÍ CHARLES\nLibretto MARC ROSICH\nbased on Last night of the world by RAY BRADBURY \nA dream heralds the end of the world. Confronted with the idea of the incomprehensible\, six couples seek their way through the last evening on earth. \nMusical direction: Sebastiaan van Yperen\nStage director: Jorinde Keesmaat\nStage design: Nico de Rooij\nCostumes: Pascal Seibicke\nDramaturgy: Vera Gertz
URL:https://jorindekeesmaat.nl/event/last-night-of-the-worlds/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20250216T150000
DTEND;TZID=Europe/Amsterdam:20250216T170000
DTSTAMP:20260514T164815
CREATED:20240507T092108Z
LAST-MODIFIED:20240507T092108Z
UID:3321-1739718000-1739725200@jorindekeesmaat.nl
SUMMARY:Last night of the world
DESCRIPTION:Last night of the world \nWorld premiere \nComposer AUGUSTÍ CHARLES\nLibretto MARC ROSICH\nbased on Last night of the world by RAY BRADBURY \nA dream heralds the end of the world. Confronted with the idea of the incomprehensible\, six couples seek their way through the last evening on earth. \nMusical direction: Sebastiaan van Yperen\nStage director: Jorinde Keesmaat\nStage design: Nico de Rooij\nCostumes: Pascal Seibicke\nDramaturgy: Vera Gertz
URL:https://jorindekeesmaat.nl/event/last-night-of-the-world-4/
LOCATION:Staatstheater Augsburg\, Augsburg\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20250206T193000
DTEND;TZID=Europe/Amsterdam:20250206T213000
DTSTAMP:20260514T164815
CREATED:20240507T092025Z
LAST-MODIFIED:20240507T092025Z
UID:3319-1738870200-1738877400@jorindekeesmaat.nl
SUMMARY:Last night of the world
DESCRIPTION:Last night of the world \nWorld premiere \nComposer AUGUSTÍ CHARLES\nLibretto MARC ROSICH\nbased on Last night of the world by RAY BRADBURY \nA dream heralds the end of the world. Confronted with the idea of the incomprehensible\, six couples seek their way through the last evening on earth. \nMusical direction: Sebastiaan van Yperen\nStage director: Jorinde Keesmaat\nStage design: Nico de Rooij\nCostumes: Pascal Seibicke\nDramaturgy: Vera Gertz
URL:https://jorindekeesmaat.nl/event/last-night-of-the-world-3/
LOCATION:Staatstheater Augsburg\, Augsburg\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20250130T193000
DTEND;TZID=Europe/Amsterdam:20250130T213000
DTSTAMP:20260514T164815
CREATED:20240507T091917Z
LAST-MODIFIED:20240507T091917Z
UID:3317-1738265400-1738272600@jorindekeesmaat.nl
SUMMARY:Last night of the world
DESCRIPTION:Last night of the world \nWorld premiere \nComposer AUGUSTÍ CHARLES\nLibretto MARC ROSICH\nbased on Last night of the world by RAY BRADBURY \nA dream heralds the end of the world. Confronted with the idea of the incomprehensible\, six couples seek their way through the last evening on earth. \nMusical direction: Sebastiaan van Yperen\nStage director: Jorinde Keesmaat\nStage design: Nico de Rooij\nCostumes: Pascal Seibicke\nDramaturgy: Vera Gertz
URL:https://jorindekeesmaat.nl/event/last-night-of-the-world-2/
LOCATION:Staatstheater Augsburg\, Augsburg\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20250124T193000
DTEND;TZID=Europe/Amsterdam:20250124T213000
DTSTAMP:20260514T164815
CREATED:20240507T091627Z
LAST-MODIFIED:20240507T091627Z
UID:3313-1737747000-1737754200@jorindekeesmaat.nl
SUMMARY:Last night of the world
DESCRIPTION:Last night of the world \nWorld premiere \nComposer AUGUSTÍ CHARLES\nLibretto MARC ROSICH\nbased on Last night of the world by RAY BRADBURY \nA dream heralds the end of the world. Confronted with the idea of the incomprehensible\, six couples seek their way through the last evening on earth. \nMusical direction: Sebastiaan van Yperen\nStage director: Jorinde Keesmaat\nStage design: Nico de Rooij\nCostumes: Pascal Seibicke\nDramaturgy: Vera Gertz
URL:https://jorindekeesmaat.nl/event/last-night-of-the-world/
LOCATION:Staatstheater Augsburg\, Augsburg\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20240927T180000
DTEND;TZID=Europe/Amsterdam:20240927T200000
DTSTAMP:20260514T164815
CREATED:20240507T093013Z
LAST-MODIFIED:20240507T093013Z
UID:3329-1727460000-1727467200@jorindekeesmaat.nl
SUMMARY:The world's wife
DESCRIPTION:The World’s Wife is based on an anthology of poems by Carol Ann Duffy and reflects on collective stories\, historical events and myths\, told from an altered\, female perspective. Inspired by Duffy’s poems\, composer Tom W. Green wrote a chamber opera for singer\, string quartet and looping station. Throughout the opera\, different female characters take the stage\, both historical and mythological\, ranging from the sexually awakened little-red cap to the motherly Queen Herod. By way of response\, Green’s composition contains music from past female composers who were sometimes unduly ignored\, such as Clara Schumann and Fanny Mendelssohn. \nThe Ragazze Quartet and Dutch opera director Jorinde Keesmaat are for the first time creating a fully staged version of the opera. Keesmaat (known from a.o. Andriessen’s Anais Nin + Odysseus Women) is intrigued by the absence of the female voice which paradoxically speaks through Duffy’s poems. While stating their individuality\, the women in the poetry are at the same time trapped in a male narrative. Seeking to weave their own narrative\, five female performers explore their historical and mythological predecessors. They are guided by the warm baritone singing of transgender opera singer Lucia Lucas\, who has recognised and has responded to her inner voice unlike anyone else. Together\, they embark on a journey which leads to a (re)discovery of a collective and individual\, female voice. \nRepertoire: The World’s Wife\, \na chamber opera by Tom W. Green with poetry by Carol Ann Duffy\nPerformers: Ragazze Quartet\, Lucia Lucas\nDirection: Jorinde Keesmaat\nDecor: Sammy Van den Heuvel\nCostumes: Sasja Strengholt\nLighting: Tim van ’t Hof\nDramaturgy: Lalina Goddard\nMake-up: Radna Berendsen\nSound: Koen Keevel\nVisuals: Bureau Merkwaardig
URL:https://jorindekeesmaat.nl/event/the-worlds-wife-4/
LOCATION:Theater Flint Amserfoort\, Amersfoort\, Netherlands
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20240111T190000
DTEND;TZID=Europe/Amsterdam:20240111T220000
DTSTAMP:20260514T164815
CREATED:20230330T101912Z
LAST-MODIFIED:20230330T102130Z
UID:3198-1704999600-1705010400@jorindekeesmaat.nl
SUMMARY:The World's Wife
DESCRIPTION:The World’s Wife is based on an anthology of poems by Carol Ann Duffy and reflects on collective stories\, historical events and myths\, told from an altered\, female perspective. Inspired by Duffy’s poems\, composer Tom W. Green wrote a chamber opera for singer\, string quartet and looping station. Throughout the opera\, different female characters take the stage\, both historical and mythological\, ranging from the sexually awakened little-red cap to the motherly Queen Herod. By way of response\, Green’s composition contains music from past female composers who were sometimes unduly ignored\, such as Clara Schumann and Fanny Mendelssohn. \nThe Ragazze Quartet and Dutch opera director Jorinde Keesmaat are for the first time creating a fully staged version of the opera. Keesmaat (known from a.o. Andriessen’s Anais Nin + Odysseus Women) is intrigued by the absence of the female voice which paradoxically speaks through Duffy’s poems. While stating their individuality\, the women in the poetry are at the same time trapped in a male narrative. Seeking to weave their own narrative\, five female performers explore their historical and mythological predecessors. They are guided by the warm baritone singing of transgender opera singer Lucia Lucas\, who has recognised and has responded to her inner voice unlike anyone else. Together\, they embark on a journey which leads to a (re)discovery of a collective and individual\, female voice. \nRepertoire: The World’s Wife\, \na chamber opera by Tom W. Green with poetry by Carol Ann Duffy\nPerformers: Ragazze Quartet\, Lucia Lucas\nDirection: Jorinde Keesmaat\nDecor: Sammy Van den Heuvel\nCostumes: Sasja Strengholt\nLighting: Tim van ’t Hof\nDramaturgy: Lalina Goddard\nMake-up: Radna Berendsen\nSound: Koen Keevel\nVisuals: Bureau Merkwaardig
URL:https://jorindekeesmaat.nl/event/3198/
LOCATION:Muziekgebouw aan het IJ\, Piet Heinkade 1\, Amsterdam\, Nederland
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2022/05/The-Worlds-Wife.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20231118T200000
DTEND;TZID=Europe/Amsterdam:20231118T220000
DTSTAMP:20260514T164815
CREATED:20230102T144055Z
LAST-MODIFIED:20230330T102346Z
UID:3126-1700337600-1700344800@jorindekeesmaat.nl
SUMMARY:The World’s Wife
DESCRIPTION:The World’s Wife is based on an anthology of poems by Carol Ann Duffy and reflects on collective stories\, historical events and myths\, told from an altered\, female perspective. Inspired by Duffy’s poems\, composer Tom W. Green wrote a chamber opera for singer\, string quartet and looping station. Throughout the opera\, different female characters take the stage\, both historical and mythological\, ranging from the sexually awakened little-red cap to the motherly Queen Herod. By way of response\, Green’s composition contains music from past female composers who were sometimes unduly ignored\, such as Clara Schumann and Fanny Mendelssohn. \nThe Ragazze Quartet and Dutch opera director Jorinde Keesmaat are for the first time creating a fully staged version of the opera. Keesmaat (known from a.o. Andriessen’s Anais Nin + Odysseus Women) is intrigued by the absence of the female voice which paradoxically speaks through Duffy’s poems. While stating their individuality\, the women in the poetry are at the same time trapped in a male narrative. Seeking to weave their own narrative\, five female performers explore their historical and mythological predecessors. They are guided by the warm baritone singing of transgender opera singer Lucia Lucas\, who has recognised and has responded to her inner voice unlike anyone else. Together\, they embark on a journey which leads to a (re)discovery of a collective and individual\, female voice. \nRepertoire: The World’s Wife\, \na chamber opera by Tom W. Green with poetry by Carol Ann Duffy\nPerformers: Ragazze Quartet\, Lucia Lucas\nDirection: Jorinde Keesmaat\nDecor: Sammy Van den Heuvel\nCostumes: Sasja Strengholt\nLighting: Tim van ’t Hof\nDramaturgy: Lalina Goddard\nMake-up: Radna Berendsen\nSound: Koen Keevel\nVisuals: Bureau Merkwaardig
URL:https://jorindekeesmaat.nl/event/the-worlds-wife-3/
LOCATION:Schouwburg Utrecht\, Utrecht\, Netherlands
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2022/05/The-Worlds-Wife.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20231109T200000
DTEND;TZID=Europe/Amsterdam:20231109T210000
DTSTAMP:20260514T164815
CREATED:20230102T143310Z
LAST-MODIFIED:20230330T102210Z
UID:3112-1699560000-1699563600@jorindekeesmaat.nl
SUMMARY:Sin-Eater
DESCRIPTION:Maria Allen\n  \n\n\n\n\n\nSIN-EATER is a work of ritual music-theatre exploring the nature of power in western civilization through its connection to eating and food. An international collaboration\, it was composed by David T. Little (US) directed by Jorinde Keesmaat (NL)\, and features powerful performances by The Crossing\, conducted by Donald Nally (US) and Ragazze Quartet (NL). Drawing connections across time\, the work includes texts by Jean Anthelme Brillat-Savarin\, Stephen Crane\, Wilfred Owen\, Harold McGee\, Anne Elizabeth Moore\, Jonathan Swift\, and others\, using juxtaposition to reveal deeper meaning. \n              “Tell me what you eat and \n          I’ll tell you what you are.” \n                  – Jean Anthelme Brillat-Savarin \nThe work is rooted in the history of the Sin-Eater itself: an ancient practice in which bread\, placed on the corpse of a person of means\, would absorb that person’s sins. A poor “rascal from the outskirts of town” would then be brought in to eat the bread\, taking on the sins of the deceased\, and allowing them to enter Heaven. Through the lens of this practice\, SIN-EATER investigates whom we ask to sin or suffer for us today. \n       “By a fortunate coincidence\, the methods \n          of slaughter that result in good quality meat \n          are also the most humane.” \n                  – Harold McGee \nAnthropological accounts of the historical practice frame modern reports of first responders\, essential workers in medicine and food processing\, morgue truck workers\, women\, soldiers\, executioners\, social media content moderators\, and others; individuals whose jobs\, or mere lives\, expose them to dangerous or difficult conditions\, requiring them to take on lasting trauma as they work to keep us safe\, healthy\, fed\, or blissfully unaware of the dark forces always around us. Indeed\, SIN-EATER winds a path through the dark terrains of human experience\, shining light on the power differentials we live with every day\, so common we no longer see them; seeking a path through disinfecting sunlight toward a better way of being. \n          “A hundred thousand useless mouths and \n          backs put to use\, and for their own good.” \n                  –  after Jonathan Swift \n\nThe Crossing Choir & Ragazze String Quartet\nDonald Nally – conductor\nLights – Eric Southern\nLalina Goddard – dramaturgy
URL:https://jorindekeesmaat.nl/event/sin-eater-4/
LOCATION:Muziekgebouw aan het IJ\, Piet Heinkade 1\, Amsterdam\, Nederland
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2023/03/table-scene-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20230910T193000
DTEND;TZID=Europe/Amsterdam:20230910T210000
DTSTAMP:20260514T164815
CREATED:20230716T203228Z
LAST-MODIFIED:20230717T142952Z
UID:3224-1694374200-1694379600@jorindekeesmaat.nl
SUMMARY:Angel's Bone
DESCRIPTION:Angel’s Bone  \nOper von Du Yun. Libretto von Royce Vavrek.\nIn englischer Sprache mit deutschen Übertiteln. \n»In den falschen Händen werden Federn zu Stacheln.«\nEs beginnt wie ein modernes Märchen: Nachdem zwei Engel zerschrammt im Garten eines Ehepaars landen\, werden sie von diesem aufgenommen. Doch statt sie gesund zu pflegen\, stutzt das Paar ihre Flügel und nutzt die himmlischen Kräfte\, um sich – unter dem Deckmantel der Wohltätigkeit – selbst zu bereichern. Als dem Mann klar wird\, auf welchen Abwegen sich seine Frau befindet\, sucht er nach einem Ausweg.\nIn ihrer zweiten Oper ANGEL’S BONE widmet sich die junge chinesische Komponistin Du Yun mit schonungsloser Poesie einem unbequemen\, aber umso relevanteren Thema: Den dunklen Abgründen der modernen Sklaverei und des Menschenhandels. Ihre Musiksprache vereint u. a. Klassik\, Punkrock\, Kabarett sowie Elektronik und dringt damit tief in psychologische Abgründe ein. Du Yun erhielt 2017 für ANGEL’S BONE den Pulitzer-Preis in Musik. \nJOHANNES WITT\nMusikalische Leitung \nJORINDE KEESMAAT\nInszenierung \nSAMMY VAN DEN HEUVEL\nBühne und Kostüme \nPASCAL MERIGHI\nChoreographie \nFROUKE TEN VELDEN\nVideo \nULRICH ZIPPELIUS\nChoreinstudierung \nLALINA GODDARD\nDramaturgie \n\n\nEDITH GROSSMAN\nMrs. X.E. \nGENG LEE\, A. G.\nMr. X.E. \nANNA ANGELINI\, A. G.\nGirl Angel \nJASON LEE\nBoy Angel \nGERBEN VAN DER WERF\, A. G.\nArchangel \n 
URL:https://jorindekeesmaat.nl/event/angels-bone-7/
LOCATION:Opera Wuppertal
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2023/07/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20230909T193000
DTEND;TZID=Europe/Amsterdam:20230909T210000
DTSTAMP:20260514T164815
CREATED:20230716T203153Z
LAST-MODIFIED:20230717T143258Z
UID:3222-1694287800-1694293200@jorindekeesmaat.nl
SUMMARY:Angel's Bone
DESCRIPTION:Angel’s Bone  \nOper von Du Yun. Libretto von Royce Vavrek.\nIn englischer Sprache mit deutschen Übertiteln. \n»In den falschen Händen werden Federn zu Stacheln.«\nEs beginnt wie ein modernes Märchen: Nachdem zwei Engel zerschrammt im Garten eines Ehepaars landen\, werden sie von diesem aufgenommen. Doch statt sie gesund zu pflegen\, stutzt das Paar ihre Flügel und nutzt die himmlischen Kräfte\, um sich – unter dem Deckmantel der Wohltätigkeit – selbst zu bereichern. Als dem Mann klar wird\, auf welchen Abwegen sich seine Frau befindet\, sucht er nach einem Ausweg.\nIn ihrer zweiten Oper ANGEL’S BONE widmet sich die junge chinesische Komponistin Du Yun mit schonungsloser Poesie einem unbequemen\, aber umso relevanteren Thema: Den dunklen Abgründen der modernen Sklaverei und des Menschenhandels. Ihre Musiksprache vereint u. a. Klassik\, Punkrock\, Kabarett sowie Elektronik und dringt damit tief in psychologische Abgründe ein. Du Yun erhielt 2017 für ANGEL’S BONE den Pulitzer-Preis in Musik. \nJOHANNES WITT\nMusikalische Leitung \nJORINDE KEESMAAT\nInszenierung \nSAMMY VAN DEN HEUVEL\nBühne und Kostüme \nPASCAL MERIGHI\nChoreographie \nFROUKE TEN VELDEN\nVideo \nULRICH ZIPPELIUS\nChoreinstudierung \nLALINA GODDARD\nDramaturgie \n\n\nEDITH GROSSMAN\nMrs. X.E. \nGENG LEE\, A. G.\nMr. X.E. \nANNA ANGELINI\, A. G.\nGirl Angel \nJASON LEE\nBoy Angel \nGERBEN VAN DER WERF\, A. G.\nArchangel \n 
URL:https://jorindekeesmaat.nl/event/angels-bone-6/
LOCATION:Opera Wuppertal
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2023/07/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20230908T193000
DTEND;TZID=Europe/Amsterdam:20230908T210000
DTSTAMP:20260514T164815
CREATED:20230716T203114Z
LAST-MODIFIED:20230717T143034Z
UID:3220-1694201400-1694206800@jorindekeesmaat.nl
SUMMARY:Angel's Bone
DESCRIPTION:Angel’s Bone  \nOper von Du Yun. Libretto von Royce Vavrek.\nIn englischer Sprache mit deutschen Übertiteln. \n»In den falschen Händen werden Federn zu Stacheln.«\nEs beginnt wie ein modernes Märchen: Nachdem zwei Engel zerschrammt im Garten eines Ehepaars landen\, werden sie von diesem aufgenommen. Doch statt sie gesund zu pflegen\, stutzt das Paar ihre Flügel und nutzt die himmlischen Kräfte\, um sich – unter dem Deckmantel der Wohltätigkeit – selbst zu bereichern. Als dem Mann klar wird\, auf welchen Abwegen sich seine Frau befindet\, sucht er nach einem Ausweg.\nIn ihrer zweiten Oper ANGEL’S BONE widmet sich die junge chinesische Komponistin Du Yun mit schonungsloser Poesie einem unbequemen\, aber umso relevanteren Thema: Den dunklen Abgründen der modernen Sklaverei und des Menschenhandels. Ihre Musiksprache vereint u. a. Klassik\, Punkrock\, Kabarett sowie Elektronik und dringt damit tief in psychologische Abgründe ein. Du Yun erhielt 2017 für ANGEL’S BONE den Pulitzer-Preis in Musik. \nJOHANNES WITT\nMusikalische Leitung \nJORINDE KEESMAAT\nInszenierung \nSAMMY VAN DEN HEUVEL\nBühne und Kostüme \nPASCAL MERIGHI\nChoreographie \nFROUKE TEN VELDEN\nVideo \nULRICH ZIPPELIUS\nChoreinstudierung \nLALINA GODDARD\nDramaturgie \n\n\nEDITH GROSSMAN\nMrs. X.E. \nGENG LEE\, A. G.\nMr. X.E. \nANNA ANGELINI\, A. G.\nGirl Angel \nJASON LEE\nBoy Angel \nGERBEN VAN DER WERF\, A. G.\nArchangel \n 
URL:https://jorindekeesmaat.nl/event/angels-bone-5/
LOCATION:Opera Wuppertal
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2023/07/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20230903T193000
DTEND;TZID=Europe/Amsterdam:20230903T210000
DTSTAMP:20260514T164815
CREATED:20230716T202948Z
LAST-MODIFIED:20230717T143220Z
UID:3217-1693769400-1693774800@jorindekeesmaat.nl
SUMMARY:Angel's Bone
DESCRIPTION:  \nAngel’s Bone  \nOper von Du Yun. Libretto von Royce Vavrek.\nIn englischer Sprache mit deutschen Übertiteln. \n»In den falschen Händen werden Federn zu Stacheln.«\nEs beginnt wie ein modernes Märchen: Nachdem zwei Engel zerschrammt im Garten eines Ehepaars landen\, werden sie von diesem aufgenommen. Doch statt sie gesund zu pflegen\, stutzt das Paar ihre Flügel und nutzt die himmlischen Kräfte\, um sich – unter dem Deckmantel der Wohltätigkeit – selbst zu bereichern. Als dem Mann klar wird\, auf welchen Abwegen sich seine Frau befindet\, sucht er nach einem Ausweg.\nIn ihrer zweiten Oper ANGEL’S BONE widmet sich die junge chinesische Komponistin Du Yun mit schonungsloser Poesie einem unbequemen\, aber umso relevanteren Thema: Den dunklen Abgründen der modernen Sklaverei und des Menschenhandels. Ihre Musiksprache vereint u. a. Klassik\, Punkrock\, Kabarett sowie Elektronik und dringt damit tief in psychologische Abgründe ein. Du Yun erhielt 2017 für ANGEL’S BONE den Pulitzer-Preis in Musik. \nJOHANNES WITT\nMusikalische Leitung \nJORINDE KEESMAAT\nInszenierung \nSAMMY VAN DEN HEUVEL\nBühne und Kostüme \nPASCAL MERIGHI\nChoreographie \nFROUKE TEN VELDEN\nVideo \nULRICH ZIPPELIUS\nChoreinstudierung \nLALINA GODDARD\nDramaturgie \n\n\nEDITH GROSSMAN\nMrs. X.E. \nGENG LEE\, A. G.\nMr. X.E. \nANNA ANGELINI\, A. G.\nGirl Angel \nJASON LEE\nBoy Angel \nGERBEN VAN DER WERF\, A. G.\nArchangel \n 
URL:https://jorindekeesmaat.nl/event/angels-bone-4/
LOCATION:Opera Wuppertal
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2023/07/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20230902T193000
DTEND;TZID=Europe/Amsterdam:20230902T210000
DTSTAMP:20260514T164815
CREATED:20230716T202900Z
LAST-MODIFIED:20230717T143106Z
UID:3214-1693683000-1693688400@jorindekeesmaat.nl
SUMMARY:Angel's Bone
DESCRIPTION:Angel’s Bone  \nOper von Du Yun. Libretto von Royce Vavrek.\nIn englischer Sprache mit deutschen Übertiteln. \n»In den falschen Händen werden Federn zu Stacheln.«\nEs beginnt wie ein modernes Märchen: Nachdem zwei Engel zerschrammt im Garten eines Ehepaars landen\, werden sie von diesem aufgenommen. Doch statt sie gesund zu pflegen\, stutzt das Paar ihre Flügel und nutzt die himmlischen Kräfte\, um sich – unter dem Deckmantel der Wohltätigkeit – selbst zu bereichern. Als dem Mann klar wird\, auf welchen Abwegen sich seine Frau befindet\, sucht er nach einem Ausweg.\nIn ihrer zweiten Oper ANGEL’S BONE widmet sich die junge chinesische Komponistin Du Yun mit schonungsloser Poesie einem unbequemen\, aber umso relevanteren Thema: Den dunklen Abgründen der modernen Sklaverei und des Menschenhandels. Ihre Musiksprache vereint u. a. Klassik\, Punkrock\, Kabarett sowie Elektronik und dringt damit tief in psychologische Abgründe ein. Du Yun erhielt 2017 für ANGEL’S BONE den Pulitzer-Preis in Musik. \nJOHANNES WITT\nMusikalische Leitung \nJORINDE KEESMAAT\nInszenierung \nSAMMY VAN DEN HEUVEL\nBühne und Kostüme \nPASCAL MERIGHI\nChoreographie \nFROUKE TEN VELDEN\nVideo \nULRICH ZIPPELIUS\nChoreinstudierung \nLALINA GODDARD\nDramaturgie \n\n\nEDITH GROSSMAN\nMrs. X.E. \nGENG LEE\, A. G.\nMr. X.E. \nANNA ANGELINI\, A. G.\nGirl Angel \nJASON LEE\nBoy Angel \nGERBEN VAN DER WERF\, A. G.\nArchangel
URL:https://jorindekeesmaat.nl/event/angels-bone-3/
LOCATION:Opera Wuppertal
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2023/07/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20230901T193000
DTEND;TZID=Europe/Amsterdam:20230901T210000
DTSTAMP:20260514T164815
CREATED:20230716T202509Z
LAST-MODIFIED:20230717T143133Z
UID:3209-1693596600-1693602000@jorindekeesmaat.nl
SUMMARY:Angel's Bone
DESCRIPTION:  \nAngel’s Bone  \nOper von Du Yun. Libretto von Royce Vavrek.\nIn englischer Sprache mit deutschen Übertiteln. \n»In den falschen Händen werden Federn zu Stacheln.«\nEs beginnt wie ein modernes Märchen: Nachdem zwei Engel zerschrammt im Garten eines Ehepaars landen\, werden sie von diesem aufgenommen. Doch statt sie gesund zu pflegen\, stutzt das Paar ihre Flügel und nutzt die himmlischen Kräfte\, um sich – unter dem Deckmantel der Wohltätigkeit – selbst zu bereichern. Als dem Mann klar wird\, auf welchen Abwegen sich seine Frau befindet\, sucht er nach einem Ausweg.\nIn ihrer zweiten Oper ANGEL’S BONE widmet sich die junge chinesische Komponistin Du Yun mit schonungsloser Poesie einem unbequemen\, aber umso relevanteren Thema: Den dunklen Abgründen der modernen Sklaverei und des Menschenhandels. Ihre Musiksprache vereint u. a. Klassik\, Punkrock\, Kabarett sowie Elektronik und dringt damit tief in psychologische Abgründe ein. Du Yun erhielt 2017 für ANGEL’S BONE den Pulitzer-Preis in Musik. \nJOHANNES WITT\nMusikalische Leitung \nJORINDE KEESMAAT\nInszenierung \nSAMMY VAN DEN HEUVEL\nBühne und Kostüme \nPASCAL MERIGHI\nChoreographie \nFROUKE TEN VELDEN\nVideo \nULRICH ZIPPELIUS\nChoreinstudierung \nLALINA GODDARD\nDramaturgie \n\n\nEDITH GROSSMAN\nMrs. X.E. \nGENG LEE\, A. G.\nMr. X.E. \nANNA ANGELINI\, A. G.\nGirl Angel \nJASON LEE\nBoy Angel \nGERBEN VAN DER WERF\, A. G.\nArchangel \nMARCO AGOSTINI\nMan on TV
URL:https://jorindekeesmaat.nl/event/angels-bone-2/
LOCATION:Opera Wuppertal
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2023/07/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20230502T200000
DTEND;TZID=Europe/Amsterdam:20230502T230000
DTSTAMP:20260514T164815
CREATED:20220515T163020Z
LAST-MODIFIED:20230330T101706Z
UID:3071-1683057600-1683068400@jorindekeesmaat.nl
SUMMARY:The World's Wife
DESCRIPTION:The World’s Wife is based on an anthology of poems by Carol Ann Duffy and reflects on collective stories\, historical events and myths\, told from an altered\, female perspective. Inspired by Duffy’s poems\, composer Tom W. Green wrote a chamber opera for singer\, string quartet and looping station. Throughout the opera\, different female characters take the stage\, both historical and mythological\, ranging from the sexually awakened little-red cap to the motherly Queen Herod. By way of response\, Green’s composition contains music from past female composers who were sometimes unduly ignored\, such as Clara Schumann and Fanny Mendelssohn. \nThe Ragazze Quartet and Dutch opera director Jorinde Keesmaat are for the first time creating a fully staged version of the opera. Keesmaat (known from a.o. Andriessen’s Anais Nin + Odysseus Women) is intrigued by the absence of the female voice which paradoxically speaks through Duffy’s poems. While stating their individuality\, the women in the poetry are at the same time trapped in a male narrative. Seeking to weave their own narrative\, five female performers explore their historical and mythological predecessors. They are guided by the warm baritone singing of transgender opera singer Lucia Lucas\, who has recognised and has responded to her inner voice unlike anyone else. Together\, they embark on a journey which leads to a (re)discovery of a collective and individual\, female voice. \nRepertoire: The World’s Wife\, \na chamber opera by Tom W. Green with poetry by Carol Ann Duffy\nPerformers: Ragazze Quartet\, Lucia Lucas\nDirection: Jorinde Keesmaat\nDecor: Sammy Van den Heuvel\nCostumes: Sasja Strengholt\nLighting: Tim van ’t Hof\nDramaturgy: Lalina Goddard\nMake-up: Radna Berendsen\nSound: Koen Keevel\nVisuals: Bureau Merkwaardig
URL:https://jorindekeesmaat.nl/event/the-worlds-wife-2/
LOCATION:The Barbican\, Londen\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2022/05/The-Worlds-Wife.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20220520T200000
DTEND;TZID=Europe/Amsterdam:20220520T230000
DTSTAMP:20260514T164815
CREATED:20220515T163416Z
LAST-MODIFIED:20220515T163503Z
UID:3078-1653076800-1653087600@jorindekeesmaat.nl
SUMMARY:The World's Wife
DESCRIPTION:The World’s Wife is based on an anthology of poems by Carol Ann Duffy and reflects on collective stories\, historical events and myths\, told from an altered\, female perspective. Inspired by Duffy’s poems\, composer Tom W. Green wrote a chamber opera for singer\, string quartet and looping station. Throughout the opera\, different female characters take the stage\, both historical and mythological\, ranging from the sexually awakened little-red cap to the motherly Queen Herod. By way of response\, Green’s composition contains music from past female composers who were sometimes unduly ignored\, such as Clara Schumann and Fanny Mendelssohn. \nThe Ragazze Quartet and Dutch opera director Jorinde Keesmaat are for the first time creating a fully staged version of the opera. Keesmaat (known from a.o. Andriessen’s Anais Nin + Odysseus Women) is intrigued by the absence of the female voice which paradoxically speaks through Duffy’s poems. While stating their individuality\, the women in the poetry are at the same time trapped in a male narrative. Seeking to weave their own narrative\, five female performers explore their historical and mythological predecessors. They are guided by the warm baritone singing of transgender opera singer Lucia Lucas\, who has recognised and has responded to her inner voice unlike anyone else. Together\, they embark on a journey which leads to a (re)discovery of a collective and individual\, female voice. \nRepertoire: The World’s Wife\, \na chamber opera by Tom W. Green with poetry by Carol Ann Duffy\nPerformers: Ragazze Quartet\, Lucia Lucas\nDirection: Jorinde Keesmaat\nDecor: Sammy Van den Heuvel\nCostumes: Sasja Strengholt\nLighting: Tim van ’t Hof\nDramaturgy: Lalina Goddard\nMake-up: Radna Berendsen\nSound: Koen Keevel\nVisuals: Bureau Merkwaardig
URL:https://jorindekeesmaat.nl/event/the-worlds-wife-2-2/
LOCATION:Rotterdamse Schouwburg\, Rotterdam
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2022/05/The-Worlds-Wife.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Amsterdam:20220519T200000
DTEND;TZID=Europe/Amsterdam:20220519T230000
DTSTAMP:20260514T164815
CREATED:20220515T162400Z
LAST-MODIFIED:20220515T162611Z
UID:3067-1652990400-1653001200@jorindekeesmaat.nl
SUMMARY:The World's Wife
DESCRIPTION:The World’s Wife is based on an anthology of poems by Carol Ann Duffy and reflects on collective stories\, historical events and myths\, told from an altered\, female perspective. Inspired by Duffy’s poems\, composer Tom W. Green wrote a chamber opera for singer\, string quartet and looping station. Throughout the opera\, different female characters take the stage\, both historical and mythological\, ranging from the sexually awakened little-red cap to the motherly Queen Herod. By way of response\, Green’s composition contains music from past female composers who were sometimes unduly ignored\, such as Clara Schumann and Fanny Mendelssohn. \nThe Ragazze Quartet and Dutch opera director Jorinde Keesmaat are for the first time creating a fully staged version of the opera. Keesmaat (known from a.o. Andriessen’s Anais Nin + Odysseus Women) is intrigued by the absence of the female voice which paradoxically speaks through Duffy’s poems. While stating their individuality\, the women in the poetry are at the same time trapped in a male narrative. Seeking to weave their own narrative\, five female performers explore their historical and mythological predecessors. They are guided by the warm baritone singing of transgender opera singer Lucia Lucas\, who has recognised and has responded to her inner voice unlike anyone else. Together\, they embark on a journey which leads to a (re)discovery of a collective and individual\, female voice. \nRepertoire: The World’s Wife\, \na chamber opera by Tom W. Green with poetry by Carol Ann Duffy\nPerformers: Ragazze Quartet\, Lucia Lucas\nDirection: Jorinde Keesmaat\nDecor: Sammy Van den Heuvel\nCostumes: Sasja Strengholt\nLighting: Tim van ’t Hof\nDramaturgy: Lalina Goddard\nMake-up: Radna Berendsen\nSound: Koen Keevel\nVisuals: Bureau Merkwaardig
URL:https://jorindekeesmaat.nl/event/the-worlds-wife/
LOCATION:Grand Theater Groningen\, Groningen\, Netherlands
ATTACH;FMTTYPE=image/jpeg:https://jorindekeesmaat.nl/wp-content/uploads/2022/05/The-Worlds-Wife.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220214T200000
DTEND;TZID=UTC:20220214T213000
DTSTAMP:20260514T164815
CREATED:20200211T130832Z
LAST-MODIFIED:20211008T194422Z
UID:1693-1644868800-1644874200@jorindekeesmaat.nl
SUMMARY:The Mending Wall
DESCRIPTION:WORLD PREMIERE IN PHILADELPHIA AND NEW YORK \nMENDING WALL \n \nMending Wall is a fully staged concert exploring the meaning of walls in our world by giving musical form to questions about identity\, community\, division\, and freedom. Soprano Tony Arnold and pianist Arturo O’Farrill join the PRISM Quartet in world premiere performances of works by four visionary composers—Martin Bresnick\, George Lewis\, Juri Seo\, and O’Farrill—who take inspiration from poetry by Robert Frost\, Keorapetse Kgositsile\, Waly Salomão\, and Guillermo Gómez-Peña. \nDirected\, stage and costume design by Jorinde Keesmaat\nLighting design by Aaron Copp.
URL:https://jorindekeesmaat.nl/event/mending-wall-3/
LOCATION:Roulette\, Brooklyn\, New York\, Verenigde Staten
ATTACH;FMTTYPE=image/png:https://jorindekeesmaat.nl/wp-content/uploads/2020/02/Schermafbeelding-2020-02-06-om-16.56.56.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220212T200000
DTEND;TZID=UTC:20220212T213000
DTSTAMP:20260514T164815
CREATED:20200211T130546Z
LAST-MODIFIED:20211008T194458Z
UID:1687-1644696000-1644701400@jorindekeesmaat.nl
SUMMARY:The Mending Wall
DESCRIPTION:WORLD PREMIERE IN PHILADELPHIA AND NEW YORK \nMENDING WALL \n \nMending Wall is a fully staged concert exploring the meaning of walls in our world by giving musical form to questions about identity\, community\, division\, and freedom. Soprano Tony Arnold and pianist Arturo O’Farrill join the PRISM Quartet in world premiere performances of works by four visionary composers—Martin Bresnick\, George Lewis\, Juri Seo\, and O’Farrill—who take inspiration from poetry by Robert Frost\, Keorapetse Kgositsile\, Waly Salomão\, and Guillermo Gómez-Peña. \nDirected\, stage and costume design by Jorinde Keesmaat\nLighting design by Aaron Copp.
URL:https://jorindekeesmaat.nl/event/mending-wall/
LOCATION:Bryn Mawr College\, Philedelphia\, Philedelphia\, Verenigde Staten
ATTACH;FMTTYPE=image/png:https://jorindekeesmaat.nl/wp-content/uploads/2020/02/Schermafbeelding-2020-02-06-om-16.56.56.png
END:VEVENT
END:VCALENDAR